I have co-supervised PhD students and examined PhDs in several different countries on a wide variety of topics.

Some examples include:

Historical work on music scenes

Digital and mobile music

Personal identity and Bob Dylan fandom

Fan productivity and cult cinema

German industrial noise music

Gender, affect and Lady Gaga fandom

Boybands and reunion culture

Genre and pop history

Museums and music mediation

Punk fandom and the canon

At Chester, PhD students have to be self-funded, and supervisors cannot be guaranteed.